Seeking Truth in A Dolls House :: A Dolls House Essays

desire Truth in A Dolls House.   The characters, in Henrik Ibsens A Dolls House, are cover from each other and sampleing the justice about each other and about action.  The game of blur and seek that Nora plays with her children, she also plays with her husband.  She inters her actions and her true nature from him.  He also hides his life from her.  Thinking that she would never even understand, he binds all the business of their relationship secret from her.  Although Nora hides from her husband, she also plays the role of seeker.  Nora wants to seek out the truth of her life.  Much of the play is a game of hide and seek. Excellent.        Nora plays a game of hide and seek(Ibsen 506)* with her children. The simple game whoremaster be seen also as a symbol of real life in the play.  Nora is playing hide and seek with the adults in her life. Nora is trying to keep something away from public knowledge and especially a way from her husband.  She hides the fact that she borrowed gold to save his health.  She was afraid that if Torvald knew that she had taken initiative to borrow money to servicing him that it would be painful and humiliating(Ibsen 501) for him.  She knows that Torvald needs to feel in nurse of everything.  So she hides her actions from him.        Nora hides the fact that she has done something illegal from Torvald.  She is given the opportunity to distinguish Torvald and maybe get his support or advise on the situation, and she lies to him to hide the truth.  She claims that the reason that she does not want Torvald to fire Krogstad is that this fellow writes in the nearly scurrilous newspapers...he can do Torvald an unspeakable amount of harm(Ibsen 519).  Nora hides the truth and replaces it with lies.  Torvald does not know that if he fires Krogstad that the consequences will affect his whole family.  Nora could reach told him, but instead she decided to hide the truth from her husband.        She also hides her testify strength.  She plays the part that she has come accustomed to, being the doll.  The first time in the play that Torvald refers to Nora, he calls her a little lark(Ibsen 493).  Throughout the play, he refers to her as a cute little animal, never with any watchword that might imply a situation of his peer.