Drawing on your Mulvey and Neale readings, as well as Tasker's Essay - 2

Drawing on your Mulvey and Neale readings, as well as Taskers discussion, discerp the representation of masculinity in one of - Essay ExampleAs evident in the take aim, masculinity has both physical and mental power over femininity. According to Carroll, thaumaturgy McLane in the Die Hard series is a prime example of this studies in the film guinea pig pay specific attention to the Herculean physical perfor homosexualces and spectacular body appearances of starring characters (Carroll, 2003, p. 54). Although wedge heelines play consequential roles in many successful films, most of these female characters are known only in intercourse to the male hero. This is in part due(p) to male domination in our society. This paper will analyse the representation of masculinity in Die Hard 2. This analysis will incorporate a written report from the works of Mulvey (1975), Neale (1983) and Tasker (2004). Die Hard 2 focuses on the story of a New York police officer, hind end McLane. The o pening scene is set on Christmas Eve, when McLane visits his distant wife, who lives in Los Angeles (Gates 2006, p. 35). McLane has what Rzepka and Horsley (2010, p. 89) term as unresolved issues. It is because of these issues that McLane is non on good terms with his wife. Upon McLanes arrival, he finds his separated wife at an office Christmas company however, supposed political terrorists invade the building. The film then portrays the heroic acts of John McLane so that he bum save his wife from the terrorists. In Die Hard 2, as in many action videos, virile characters are portrayed with virile physical prowess and social dominance. Another important aspect of manful heroes is their excessive aggression. Prior studies concerning Hollywoods presentation of male genres have characterised Die Hard 2 as a male-driven action movie, with the presentation of the lead hero as a macho man (Milestone & Meyer 2012, p. 50). This is due to McLanes spectacular ability to wrestle his enemi es, which is a trait of the hero in male-driven films. In fact, Carroll (2003, p. 79) comments that the physical masculinity of an action hero gives a preferential tone for the action narrative. It should be noted that the audience accepts heroism fron male characters in filmst whil, female heroism is less acceptable to movie audiences (Le Guin, 1993, p. 5). This is because of the notion that males are physically and mentally stronger than females. Rzepka and Horsley (2010, p. 61) define masculinity in film as an smell that a film-maker intends to deliver that involves physical prowess, sexual virility and aggression. Gates (2006), Bould (2005) and Berg (2002) all take over this idea in some form or another. Gates (2006, p. 58) argues that Die Hard 2 focuses on physicality the way that McLane is displayed as a hero forms a vital ingredient of a films visual effects. On the other hand, Bould (2005, p. 59) states that literature on action heroes discusses the body above sexuality, race, class and nationality. In a different manner, Berg (2002, p. 80) believes that critics largely applauded the Die Hard series due to John McLanes ability to withstand physical assaults despite his age. Thus, the physical appearance of the hero plays an important role in attracting audiences to action-oriented films such as Die Hard 2. To prove this point, imagine if rowan tree Atkinson were to play the hero role in the film. While he is widely accepted among the public as a comedian, he has never been shown as a serious action or romantic hero. This is credibly due to the weaker physique of Atkinson compared to that of typical action heroes. One thing that cannot be argued against is